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Here are all the paintings of ALBERTINELLI Mariotto 01
| ID |
Painting |
Oil Pantings, Sorted from A to Z |
Painting Description |
| 4683 |
 |
Annunciation_00 |
1503
Oil on wood, 23 x 50 cm
Galleria degli Uffizi, Florence |
| 4684 |
 |
Birth of Christ jj |
1503
Oil on wood, 23 x 50 cm
Galleria degli Uffizi, Florence |
| 4685 |
 |
Circumcision kin |
1503
Oil on wood, 23 x 50 cm
Galleria degli Uffizi, Florence |
| 96868 |
 |
Seascape |
1912(1912)
Medium oil on canvas
Dimensions 48 X 69 cm
cyf |
| 4782 |
 |
The Church Militant and Triumphant |
1365-68
Fresco
Cappella Spagnuolo, Santa Maria Novella, Florence |
| 4781 |
 |
The Church Militant and Triumphant gg |
1365-68
Fresco
Cappella Spagnuolo, Santa Maria Novella, Florence |
| 20149 |
 |
The Virgin and Child Adored by Saints Jerome and Zenobius (mk05) |
1506(with Francesco Franciabigio).
Canvas,731/4 x 691/4''(186 x 176 cm).From Santa Trinita in Florence 1813;acquired for the Louvre in 1814 |
| 77946 |
 |
Virgin and Child |
ca. 1512(1512)
Medium panel
cyf |
| 4682 |
 |
Visitation jj |
1503
Oil on wood, 232 x 146 cm
Galleria degli Uffizi, Florence |
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| ALBERTINELLI Mariotto
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| Italian Early Renaissance Painter, 1474-1515
Already as a 12-year old boy, he became a pupil of Cosimo Rosselli, and a fellow-pupil with Fra Bartolomeo with whom he formed such an intimate brotherly rapport that in 1494 the two started their own studio in Florence. Vasari's opinion was that Mariotto was not so well grounded in drawing as Bartolomeo, and he tells that, to improve his hand he had taken to drawing the antiquities in the Medici garden, where he was encouraged by Madonna Alfonsina, the mother of Duke Lorenzo II de' Medici. When the Medici were temporarily banished in 1494, he returned to his friend, whose manner he copied so assiduously, according to Vasari, that his works were taken for Baccio's. When, in the wake of Savonarola's morality campaign, Baccio joined the Dominican order as Fra Bartolomeo in 1500 and gave up painting, Albertinelli, beside himself with the loss, would have joined him; but, spurred by his success in completing an unfinished Last Judgment of Bartolomeo's, he resolved to carry on alone. Among his many students were Jacopo da Pontormo, Innocenzo di Pietro Francucci da Imola and Giuliano Bugiardini.
Albertinelli's paintings bear the imprint of Perugino's sense of volumes in space and perspective, Fra Bartolomeo's coloring, the landscape portrayal of Flemish masters like Memling, and Leonardo's Sfumato technique. His chief paintings are in Florence, notably his masterpiece, the Visitation (1503) at the Uffizi.
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